Simon Njami is a Paris-based independent curator, lecturer, art critic and novelist. Njami was the co-founder and Editor-in-Chief of Revue Noire, a journal of contemporary African and extra-occidental art. He has served as the Artistic Director of the first Johannesburg art fair in 2008, the Bamako photography biennale for 10 years, and the Dak’art Biennale (2018/2018). He also co-curated the first African pavilion at the 52nd Venice Biennale in 2007. Njami has curated numerous exhibitions of contemporary art and photography, including Africa Remix (2004/2007) and the first African Art Fair, held in Johannesburg in 2008; The Divine Comedy (2013), at the MMK (Museum fur Moderne Kunst) in Frankfurt; SCAD, Savannah (2014) and The Smithsonian in Washington DC (2015); Xenopolis in Berlin (2015); Afriques Capitales in Paris and Lille (2017); and Metropolis Maxxi (2018). He was member of the scientific boards of numerous museums and a visiting professor at the University of California San Diego (UCSD). In 1998, he created the Pan-African master classes in photography, with the Goethe Institut, which he then directed for more than 12 years. Njami also set up the collection of contemporary art for the Memorial Acte museum in Guadeloupe. He has published and edited numerous books, with the latest being Stories Histories: The Story of Revue Noire (2020). Njami studied literature, law and philosophy at the Sorbonne in Paris.

Simon Njami is Curator of the gallery sector “Kind of Blue” at Abu Dhabi Art 2021.

Sam Bardaouil and Till Fellrath are Founders of Art Reoriented, a multidisciplinary curatorial platform launched in 2009 in New York and Munich. They are curators of the Lyon Biennale in 2022, and affiliate curators at Gropius Bau in Berlin.  
As an independent voice, Bardaouil and Fellrath have collaborated with more than 70 institutions worldwide, including Centre Pompidou, Mathaf: Arab Museum of Modern Art, Tate Liverpool, Moderna Museet, Reina Sofia, ARTER, and the Montblanc Cultural Foundation. They are internationally recognised curators and award-winning authors whose practice is rooted in global Contemporary art, as well as in the field of Modernist studies. 
In 2016 they were part of the team of curatorial attachés of the 20th Biennale of Sydney. At the Venice Biennale, they were curators of the National Pavilions of Lebanon in 2013 and the United Arab Emirates in 2019, and they are curators of the French Pavilion in 2022.  

Sam Bardaouil and Till Fellrath are co-curators for Beyond: Emerging Artists, Abu Dhabi Art 2021

Instagram: @sbardaouil and @till.fellrath
Facebook: sbardaouil and till.fellrath
Hashtags: #artreoriented #samandtill #sambardaouil #tillfellrath

Harvard and Oxford educated, Roxane Zand began a career in the arts at the Tehran Museum of Contemporary Arts, subsequently moving to the UK to work in the non-profit arts sector. She has served a variety of institutions such as the British Museum and Asia House, joining Sotheby’s in 2006 to lead its presence in the Middle East & Gulf. 

In March 2020 she left Sotheby’s as Senior Director and Deputy Chairman to start her own consultancy. She continues to sit on a number of MENA Boards, AFAC, Aga Khan Museum UK Steering Committee, and advises the non-profit sector. Her most recent book was Geometry and Art in the Modern Middle East. She was appointed Deputy Lord Lieutenant (DL) by Her Majesty the Queen for her services to Middle Eastern art. She is also a charity auctioneer. 

Roxane Zand is the organiser for the Collectors Forum, Abu Dhabi Art 2021.

Instagram: @roxzand

Rose Lejeune is a London-based curator and researcher focused on creating sustainable, cross-sector mechanisms to support the production and collection of contemporary art across the whole range of materials and mediums that artists today use.

In addition to regular writing and public speaking on these topics, she is currently working towards Performance Exchange, a UK-wide project working to embed performance within collections, and highlight the work commercial galleries do to support artists across the spectrum of contemporary art materials and practices. Rose is also the Associate Curator for the Delfina Foundation’s Collecting as Practice programme where she developed the groundbreaking programme that looks at the politics and economics of global collections.

Rose’s current curatorial activities have developed following a decade of experience working with public organisations throughout the UK and in particular working closely with artists to commission for non-gallery situations. This includes as Curator for Art on the Underground, and Education Projects Curator at the Serpentine Gallery. Rose holds a BA in Philosophy and Art History, and an MA in Curating Contemporary Art from the Royal College of Art. Finally, Rose is currently a PhD candidate in Curating at Goldsmiths College, University of London, where her research focuses on curatorial frameworks for performance art in, and out, of the art market.

Rose Lejeune is Curator of performing arts programme “In the Round”, Abu Dhabi Art 2021.