Simon Njami is a Paris-based independent curator, lecturer, art critic and novelist. Njami was the co-founder and Editor-in-Chief of Revue Noire, a journal of contemporary African and extra-occidental art. He has served as the Artistic Director of the first Johannesburg art fair in 2008, the Bamako photography biennale for 10 years, and the Dak’art Biennale (2018/2018). He also co-curated the first African pavilion at the 52nd Venice Biennale in 2007. Njami has curated numerous exhibitions of contemporary art and photography, including Africa Remix (2004/2007) and the first African Art Fair, held in Johannesburg in 2008; The Divine Comedy (2013), at the MMK (Museum fur Moderne Kunst) in Frankfurt; SCAD, Savannah (2014) and The Smithsonian in Washington DC (2015); Xenopolis in Berlin (2015); Afriques Capitales in Paris and Lille (2017); and Metropolis Maxxi (2018). He was member of the scientific boards of numerous museums and a visiting professor at the University of California San Diego (UCSD). In 1998, he created the Pan-African master classes in photography, with the Goethe Institut, which he then directed for more than 12 years. Njami also set up the collection of contemporary art for the Memorial Acte museum in Guadeloupe. He has published and edited numerous books, with the latest being Stories Histories: The Story of Revue Noire (2020). Njami studied literature, law and philosophy at the Sorbonne in Paris.

Simon Njami is Curator of the gallery sector “The Day After” at Abu Dhabi Art 2020.

Simon Njami is also speaking at the Talk: The Day After

Sung woo Kim is an independent curator and writer. He is interested in curatorial methodologies that produce and pose questions relating to time and space, and investigates how to reflect individuals’ subjectivities in the form of exhibition. Kim directed the curatorial programme and management of Amado Art Space, Seoul (2015-2019), and was appointed as an artistic director in the curatorial collective formed for the Gwangju Biennale (2018). This year, he was appointed as a curatorial advisor for the Busan Biennale. The exhibitions and projects he has curated include Glider (Gallery2, Seoul, 2020); Anamorphose : depict but blurry, distant but vivid (WESS, Seoul, 2020); MINUS HOURS (Wumin Art Center, Cheongju, 2019); Tracing, Detouring, Piercing (Hakgojae Gallery, Seoul, 2020); Remembrance has a rear and front (publishing project, Hejuk Press, 2019); The 12th Gwangju Biennale: Imagined Borders (Gwangju Biennale Exhibition Hall, Asia Culture Center, 2018); Different Kinds of White (P21, 2018); Black Night, Video Night (d/p, 2018); sunday is monday, monday is sunday (Space Willing n Dealing, 2018); Blank Shot (Art Sonje Center, Seoul, 2017); Nobody’s Space (Amado Art Space, 2016); Platform. B (Amado Art Space, 2015).

Sung woo Kim is Curator of the gallery sector “Material-Real”, Abu Dhabi Art 2020.

Nada Raza is Curatorial Advisor for Alserkal Arts Foundation. She was the founding Artistic Director of the Ishara Art Foundation in Dubai, where she curated Altered Inheritance: Home is a Foreign Place with Shilpa Gupta and Zarina Hashmi, and Body Building, a thematic exhibition of lens-based work, both in 2019. Prior to this, Raza was Research Curator at Tate Research Centre: Asia, with a particular focus on South Asia. Raza co-curated Bhupen Khakhar: You Can't Please All (2016), and organised displays of work by international artists including Meshac Gaba, Monir Shahroudy Farmanfarmaian, Zarina Hashmi, Sheela Gowda, Amar Kanwar and Mrinalini Mukherjee. Raza was guest curator of the Abraaj Capital Art Prize (2014) and curated a thematic exhibition, The Missing One, for the Dhaka Art Summit in Bangladesh and the Office for Contemporary Art in Norway (2016). She has also worked on international art at the Institute for International Visual Art (Iniva) and at Green Cardamom in London. She holds an MA from the Chelsea College of Art and Design and is a doctoral candidate at the Courtauld Institute of Art.

Nada Raza is Curator of the gallery sector “A Picture Held Us Captive”, Abu Dhabi Art 2020.

Ashwin Thadani founded Galerie Isa in 2011, and has since established the gallery as a leading proponent of international contemporary art on the Indian subcontinent. He has been deeply committed to the growth of the gallery since its inception and has played an integral role in exhibiting works of several critically acclaimed International artists, such as Diana Al-Hadid, Ali Banisadr, Adrian Ghenie, Olafur Eliasson and Idris Khan among others.

 Ashwin Thadani is Curator for the second year of the gallery sector “India Today”, Abu Dhabi Art 2020.

Born in Beirut, currently lives in Oxford, UK.

Maya El-Khalil is an independent curator, who for the last decade has been working locally, regionally and internationally with artists, collectors and institutions to develop the identity and ideas that have defined the contemporary art scene in Saudi Arabia. From its inception in 2009 until 2016, she was the Founding Director of Athr, a leading contemporary art gallery based in Jeddah. She is the curator of the 7th Edition of 21,39 Jeddah Arts.

El Khalil holds a Bachelor’s Degree in Mechanical Engineering and an MBA from the American University of Beirut. She is currently enrolled in an MA Program in Art and Politics at Goldsmiths University.

Maya El-Khalil is Curator of the programme “Beyond: Emerging Artists”, Abu Dhabi Art 2020.

Rose Lejeune is a London-based curator and researcher focused on creating sustainable, cross-sector mechanisms to support the production and collection of contemporary art across the whole range of materials and mediums that artists today use.

In addition to regular writing and public speaking on these topics, she is currently working towards Performance Exchange, a UK-wide project working to embed performance within collections, and highlight the work commercial galleries do to support artists across the spectrum of contemporary art materials and practices. Rose is also the Associate Curator for the Delfina Foundation’s Collecting as Practice programme where she developed the groundbreaking programme that looks at the politics and economics of global collections.

Rose’s current curatorial activities have developed following a decade of experience working with public organisations throughout the UK and in particular working closely with artists to commission for non-gallery situations. This includes as Curator for Art on the Underground, and Education Projects Curator at the Serpentine Gallery. Rose holds a BA in Philosophy and Art History, and an MA in Curating Contemporary Art from the Royal College of Art. Finally, Rose is currently a PhD candidate in Curating at Goldsmiths College, University of London, where her research focuses on curatorial frameworks for performance art in, and out, of the art market.

Rose Lejeune is Curator of performing arts programme “In the Round”, Abu Dhabi Art 2020.